Christine and Mark at The Dana

This post comes at the special request of Christine and Mark, who were recently married at The Dana Resort in San Diego’s Mission Bay. So I thought I would take the opportunity to break away from the single-image posts for a moment, and talk about what black and white photography means to me when compared to color.

It’s obvious from my portfolio that I am a fan of the black and white medium. I feel it sharpens the mind to the core structure of an image, the real meaning of it, without being distracted by the color dimension. There’s a purity in it. All my clients receive a selection of their images in black and white, and this becomes my way of saying, “These are among my favorites.”

But color has its rightful place, too. Some images are better defined by color. Some simply lose their energy without it. And so I thought it would be an interesting exercise to compare the two from Christine and Mark’s wedding. The challenge was to relate the wedding day in fifteen images. My selections turned out to be very different when in color versus when in black and white. First, the black and white series.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And now the same day, in a selection of color images.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So what was behind my choices? As a set, the black and white images showcase more geometry in their details - the way shapes and faces gently direct the eye back to the main subject. Adding color to that geometry only confuses the eye, makes it wander around the image. The color images, on the other hand, show the instances when color adds dimension instead of confusion, images which would have been less meaningful without it.

In my next blog post I’ll be reviewing over some of these same images, and will give more detail into what makes the images work for me.

Congratulations, Christine and Mark! Your wedding was amazing.

Breaking rules.

Another landscape post, this time a panoramic. The best of photography comes from seizing moments when they present themselves. In the case of Erin and Phil’s wedding, that moment was a thunderhead spiraling upward in the distance behind their altar. In the heat of summer/fall, these clouds will amass beyond the mountains, and though they rarely reach closer to the coast their great height is still impressive.

I broke the rule of thirds with this shot because that’s what the shot was about. From the petals on the ground, to Erin’s dress, and reaching up into the cloud formation, the energy for this image was meant to stay along the center of the frame, and it has become one of my most enjoyable wedding panoramics because of it.

A little distance

 

In my travels up and down California, I’m usually hugging the coast. I know the ocean, I know how to photograph it. The last few years I have been fortunate enough to have Lake Tahoe become another part of the regular locations I travel to. In comparison to the ocean it has a serenity, a stillness to it, totally unlike the crashing of waves and the bustle of beach crowds.

Despite the glaring beauty all around Lake Tahoe, showing this in my photographs is easier said than done. Take this shot, for instance. The time of day put a shadow over the ceremony - nice for the guests who were baking in the summer sun, but not good for including the brightly-lit lake behind them.

The clients received many other shots of the ceremony, where the lake was inevitably very bright in contrast to their shaded faces. But this one shot I feel best encapsulates the atmosphere that day. I walked away from the ceremony, halfway up the hillside to a spot where I could put the people into silhouette. From this vantage point, Lake Tahoe comes into focus and becomes a participant in the event, which is as it should feel for those people who love the area enough to make it the location of their wedding.

A post for 9/11

 

With a recent Virginia wedding, I found myself flying across the country on the 10th anniversary of 9/11. Milestones have a way of adding perspective to tragic events. As I drove toward the airport on 9/11/11, the local Norfolk radio greeted me with no news flashes, no scare tactics, nothing but a cooking show exploring the conundrum of how to incorporate okra into dessert recipes. It made me smile.

I don't mix politics with business. My personal beliefs are irrelevant to the scope of my clients' different tenets and lifestyles. But we must agree that, while opinions on the last ten years vary, no one can say the American system is not still flush with pluralism. And that is a victory. I've been reading a lot lately on Jefferson, Madison, and the rise of bipartisanship. And so in commemoration of a new decade, I begin a series of single-image blog posts with an image celebrating pluralism and multiculturalism, a combined Hindu/Jewish wedding on the California coastline, supported both in spirit and literally in the lines of the image, by the armed services.

 

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All images © 2012 Michael Tyler Photography.         |        1.858.243.7168         | michael@michaeltylerphotography.com